The emancipated spectator / (Record no. 639609)

MARC details
000 -LEADER
fixed length control field 01978nam a22003017a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211102191059.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781844677610 (pbk.)
International Standard Book Number 1844677613 (pbk.)
040 ## - CATALOGING SOURCE
Transcribing agency JNU
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700.1
Item number R151 \c Em
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ranciere, Jacques.
245 1# - TITLE STATEMENT
Title The emancipated spectator /
Statement of responsibility, etc. <a href="Jacques Ranciere ; translated by Gregory Elliott.">Jacques Ranciere ; translated by Gregory Elliott.</a>
260 ## - Place of Publication, Distribution etc.
Place of Publication London :
Name of Publisher <a href="Verso,">Verso,</a>
Date of Publication 2011.
300 ## - DESCRIPTION
Extent 134 p. :
Other physical details ill. ;
Dimensions 21 cm.
500 ## - GENERAL NOTE
General note Originally published: 2009.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Includes bibliographical references.
Formatted contents note The emancipated spectator -- The misadventures of critical thought -- Aesthetic separation, aesthetic community -- The intolerable image -- The pensive image.
520 ## - SUMMARY, ETC.
Summary, etc. In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Aesthetics.
Topical term or geographic name entry element Image (Philosophy)
Topical term or geographic name entry element Representation (Philosophy)
Topical term or geographic name entry element Arts audiences
General subdivision Psychology.
Topical term or geographic name entry element Art appreciation
General subdivision Philosophy.
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Gregory Elliott.
Titles and other words associated with a name translated by
880 ## - ALTERNATE GRAPHIC REPRESENTATION
Author-Alternate Graphic Representation 880
Title-Alternate Graphic Representation <a href="880">880</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Dr. B. R. Ambedkar Central Library Dr. B. R. Ambedkar Central Library Art Collections 11/02/2021   700.1 R151 Em 231913 11/02/2021 11/02/2021 Book
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