MARC details
000 -LEADER |
fixed length control field |
01978nam a22003017a 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20211102191059.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
211102b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781844677610 (pbk.) |
|
International Standard Book Number |
1844677613 (pbk.) |
040 ## - CATALOGING SOURCE |
Transcribing agency |
JNU |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
700.1 |
Item number |
R151 \c Em |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Ranciere, Jacques. |
245 1# - TITLE STATEMENT |
Title |
The emancipated spectator / |
Statement of responsibility, etc. |
<a href="Jacques Ranciere ; translated by Gregory Elliott.">Jacques Ranciere ; translated by Gregory Elliott.</a> |
260 ## - Place of Publication, Distribution etc. |
Place of Publication |
London : |
Name of Publisher |
<a href="Verso,">Verso,</a> |
Date of Publication |
2011. |
300 ## - DESCRIPTION |
Extent |
134 p. : |
Other physical details |
ill. ; |
Dimensions |
21 cm. |
500 ## - GENERAL NOTE |
General note |
Originally published: 2009. |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Includes bibliographical references. |
|
Formatted contents note |
The emancipated spectator -- The misadventures of critical thought -- Aesthetic separation, aesthetic community -- The intolerable image -- The pensive image. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence? |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Aesthetics. |
|
Topical term or geographic name entry element |
Image (Philosophy) |
|
Topical term or geographic name entry element |
Representation (Philosophy) |
|
Topical term or geographic name entry element |
Arts audiences |
General subdivision |
Psychology. |
|
Topical term or geographic name entry element |
Art appreciation |
General subdivision |
Philosophy. |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Gregory Elliott. |
Titles and other words associated with a name |
translated by |
880 ## - ALTERNATE GRAPHIC REPRESENTATION |
Author-Alternate Graphic Representation |
880 |
Title-Alternate Graphic Representation |
<a href="880">880</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book |